
On the night after the final performance, the three men and friend Anne Ryan took to the streets to create a film tableau, drawn from Adam's performance – "a strange little nocturnal world of bodies and light," according to Daniel. "The shoot was me with a digital SLR and Adam, Jordan and Anne spasming, convulsing and running in the darkness with hand-held strobe flashes." As if members of a tribe partaking in a bacchanal ceremony, the dancers wore headdresses covered in hundreds of bells, designed to convey the physical sensation of their ecstasy pulsating from their minds through their bodies. "The costumes created a texture in this fast-paced nocturnal interlude and helped the viewer visually understand the mindset of the characters," says Jordan. All before morning came and the reverie subsided.
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